Bumba-meu-Boi de Floresta: Dance of the indios/tapuias, preparing costumes

University of Wisconsin-Milwaukee Study Abroad students spent much of two consecutive days with members of BmB da Floresta.  They received instruction in Tambor da Crioula, costume preparation and the embroidery techniques used by the group, and learned the basic floor movements of the dance of the indios.  The indios represent the indigenous people of Maranhao and are traditionally called tapuias.  Formerly danced only by men, women now dance as well.

Of the performative elements of the Baixada style, the indios/tapuias (both male and female) are usually the younger and most vigorous dancers.

Younger teenagers begin with simple version of the basic steps and eventually move up to the exotic costumes and steps of the more seasoned dancers.  The leaders of the indios are typically between their twenties and forties.

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One of the seasoned indio/tapuia dancers in a stylized cacice (chieftain) headdress. This status is only reached after several seasons.

 

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Male indio or tapuia (left center) with female tapuia (barely visible, far left) and three Cazumba figures. Cazumbas represent various mystical entities and accompany the indios in the dance. The indigenous and forest symbolism is mixed with decorations on the headdress representing the crown of the Holy Ghost in the Catholic tradition.

UW-Milwaukee students worked with members of BmB da Floresta to lean the basic steps.  First, the steps learned by the young girls and boys, then some variations for the more advanced tapuia dancers.

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First steps being taught UWM students by Talyene Melonio

 

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Talyene, demonstrating more advanced steps and introducing the spear (showing here how NOT to extend it to the rear, spearing another dancer). UWM students Mindy, Armando and Caelen

 

In the following video, UW-Milwaukee Study Abroad students are instructed by Talyene Melonio and Nadir Cruz.

 

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UWM dance student Carly with one of the new Cazumba masks. One thing led to another and the students were soon embroidering themselves.

Preparing the Costumes

The group leaders explained that they renew about 40% of the costumes from year to year.  A season or two of hour-by hour, night-by-night dancing shreds the costumes (and dancers) eventually.

BmB da Floresta  integrates young people of the neighborhood into the production of costumes.  Regular members do this as a matter of course, but the youth of this modest and difficult neighborhood can spend their off-hours in the culture and care of the Floresta group.  They learn costuming skills, get a snack and protection from the street, and can become part of the Bumba-meu-boi culture.

The group has received some outside government support in the past (under the title “Floresta Criativa”), but even without formal support they have a continuing workshop for costuming.

A boy from the neighborhood embroidering decoration on a costume (June 2015). It was to be used that night in the baptism of the ox.
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UWM dance students Tory and Carly getting instruction from one of the experienced young costumers. In the background are other neighborhood boys working on various projects, but here just watching the American students

 

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UWM dance student Caelen getting instruction from one of experienced costumers
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One of the young women in the group attaching feathers to a tapuia/india costume. Later she danced one of the female tapuia roles in the ceremony baptizing the ox.

 

 

One of the finished Cazumba costumes, with UWM professor Simone Ferro.  This Saint George was not done by the more experienced young embroiderers
One of the finished Cazumba costumes, with UWM professor Simone Ferro. This Saint George was done by the more experienced young embroiderers

 

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A cacice (indio chieftain) headdress prepared by the experienced costumers. This is Saint George again, but the African form of the warrior recalls the identification of Saint George with the African-Brazilian spiritual entity Ogum (warrior orixa).