Walkabout in São Luís (Maranhão), Brazil (May 2017)

 

These are photos from our six-week research visit to São Luís (Maranhão), Brazil, in the summer of 2017.  It does not have a special theme,  except that we are happy to be able to continue our research here and are continually amazed by the diversity and riches of the place.

We were preparing to go on the road again to interior to photograph and film a variety of local ways that Festa do Divino is celebrated here.

The following photos are from our first getting grounded in the city and attending a few events before getting on a bumpy bus ride to the interior.

 

The old Spanish/Portuguese steps were once a central path to the colonial center of São Luís. The Centro Historico is now preserved, more or less, but as an artifact. Non-tourist-related businesses and the middle class are scarcely represented, but the area is a primary a center for celebrations.

 

 

The old colonial walls are tatty and romantic on the surface, but the spaces behind them are often busy with market and artisan activity.

 

In the run-up to the festival, the central city teems with men and women in orange doing various preparations.

 

This area — Praia Grande — was once a busy waterfront shipping and fishing port. It has modernized to move cars and buses about, but the society around the area is complex and full of unresolved inequities.

 

Near Praia Grande, behind the vaguely romantic decay is some renovation (note windows) behind which are art galleries and shops.

 

In the central market building there are still traditional foods (here dried shrimp and farofa — processed cassava/mandioca flour). You can also buy a 50-kilo bag of garlic nearby — and, of course, bottles of fierce local products (see below)

 

The purple liqueur is tiquira, made from fermented manioc (cassava). The other products are various oils and sweets, mostly locally-produced (for example, candy from the buriti palm = buriti palm oil with lots of sugar).

 

This symbol is outside a liquor store in the central market.  when he saw my interest he took hat from where he had hung it on it horns and went about sorting his liquor bottles.  It seemed the wrong time to discuss theology and symbolics with him.

 

This macraméd tree stands in a plaza (Praça Nauro Machado) that is a center for popular celebrations and performances.

 

The city has a rich tradition of public art and graffiti. Old walls are often scenes of artistic and social expression. In São Paulo some of the public walls along the thoroughfares have been prepared with bricks and plantings to discourage public art such as this.  Here, in São Luís, there are plenty of old walls waiting for people to express their politics.

 

My neighor’s business is on the street just around the corner from our pousada.

 

Altar at the celebration of Festo do Divino at the Casa de Mina Santa Maria. These icons and festivals were once dominated and promoted by the institutional Catholic Church, but are carried out by alternate spiritual and community groups outside official sanction. This part of the ceremony is the installation of the “tribunal” or symbolic royalty, reminiscent of colonial Portugal.  The figure at lower right in the photo is wearing strings of beads that are symbolic of various Afro-Brazilian orixás worshiped here.  The doves crown are the symbols traditionally here to represent the Holy Ghost/Espirito Santo.

 

Celebrant, drummer, Festa do Divino, Case de Mina Santa Maria

 

Children represent the imperial court at this celebration. They are selected a year in advance and for this day are elaborately dressed and prepared with make up. The ceremony is often difficult for them in the heat and humidity, as is the procession from a church through the streets in 90+ degree sun.

 

Member of the symbolic “imperial” tribunal that is installed in this ceremony

 

Caxiera in the (mostly) women’s tradition of drummers dedicated to the Espirito Santo. The origins of this custom is not clear, but this practice of  “Drummers for the Holy Ghost) seems not to have stemmed from the original Catholic celebration.

 

Young caxeira, Casa de Mina Santa Maria, Festa do Espirito Santo. Although many of the drummers are of advanced age, the tradition is not dying out.

 

Caxiera, with younger members of the court/tribunal in the background.

 

Caboclo de Pena, Bumba-meu-boi de Maracanã. The entity “Guriatã” embroidered on his vest refers to a warrior spirit who prepares the way for the appearance of he enchanted being Rei Sebastião (the spirit of the Portuguese king lost in the 16th century in the Crusades).  Kn Sebastian’s body was never found and there emerged a Portuguese cult of “Sebastionism” that awaits his return.  the legend is merged with Maranhão lore, and King Sebastion is said to appear in the full moon on the dunes (Lencoís) as an enchanted ox with a red star on his head.  Many practices (the day of Saint John, Sebastionism, and others) have merged with regional Brazilian legends and African-Brazilian practices.

 

 

Caboclo de Pena (representing a feathered AmerIndian, or perhaps a forest spirit or enchanted being)

 

Young Caboclo de Fita (ribboned caboclo, usually invoking an indio or mestiço figure from the colonial period).

 

 

Two singers in a new Bumba-meu-boi group, Boi de Pindaré.  At left is Saviani who is best known for his years as a lead singer for Bumba-meu-boi de Floresta/Apolônio. Here he is supporting the new group, in its first rehearsals (held at the Casa de Nhozinho, a cultural center and museum)

 

Boy, with the new Bumba-meu-boi group, Boi de Pindaré.  Most Brazilians are not shy around cameras, but they insist on striking a pose.

 

Percussionist (actually all musical accompaniment is percussion and singing)

 

Boi de Pindaré, rehearsal

 

Rehearsal — eventually she will probably dress as a tapúia, a figure invoking the AmerIndians of Maranhão as portrayed in the Baixada tradition of the Bumba-meu-boi

 

Rehearsing, playing matracas (blocks of wood struck together for rhythm)

 

Percussion, Boi de Pindaré

 

While watching the parade through the street, we were in the upstairs of a cultural building/museum (Casa de Nhozinho) where this example of local “bobbin lace” (renda de bilro) is displayed. The pins mark a pattern that is executed by maneuvering the bobbins back and forth.

 

The group Boi de Pindaré finishes its rehearsal and parades through the street. The ox (boi) leading the procession is newly-embroidered.  It marks the occasion for founding this new group as a promessa (vow).  The group is the fulfilment of a vow to honor their patron saint for granting health to the daughter of the organizer. The religious promessa is a heritage tradition important in the history of the Bumba-meu-boi, though commercial and political motivations are becoming common also.

 

Daytime view from our pousada, over neighboring buildings looking out to the bridge

 

View from our pousada — the bridge across the Rio Anil.

“Ya gotta run what you brung…” Working with a small camera

 

I first heard the phrase “Run what you brung” in southern auto and  motorcycle racing.  It usually signaled impatience when someone was complaining that the rights parts didn’t arrive, the carburetor is a bit off, the tires are too soft (or hard, or bald), or other of the endless reasons racers have for losing.  This was a reminder to stop complaining and get to work with what you have.

The photos here are beachfront and research photos taken during January – April, 2016 with a small-sensor camera that fits into a pocket.  It was already a couple of generations old when I used it, having been superceded by larger, and even “full-frame,” pocket cameras.  I found that it was a terrific carry-along (even in a pants pocket while bicycling at the beach),  and I gradually came to understand that there were images that were not only usable, but had certain special characteristics that were worth a bit of attention.  It is still not my camera of choice for something I go out with the intention to photograph, but it is very versatile and helpful when you are in a place Like São Luís where it’s always good to have a camera with you.

 

Beachfront and City images

 

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This egret (garça) on the Calhau Beach has appeared in an earlier post of my experiments with a small camera

 

The egret appeared in a January 2016 post on using a small camera (http://www.meredithwwatts.com/MWBrazilBlog/?m=201601 or scroll down to January).

This first post was shortly after losing most of our first-choice camera and video camera equipment, and we were adjusting to using our back-up equipment.

In these photographs the small camera was either the carry-along of choice because it slipped into my pants pocket, or it was all I had.  The little camera often made it possible to find images that would have escaped me if I had needed to have a larger camera with me.  Sometimes for reasons of convenience or security this is the kind of camera to have.  Since this model of camera was made, many more with larger sensors and better image quality are available, but few are more “pocketable.” And as the old photographers’ saying goes, “The best camera is the one you have with you.” (That is, “run what you brung…”)

 

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Beachfront bar at the Ohlo d’agua beach in São Luis. The beach is known in local legends for enchanted beings that appear here, but I don’t think they come to the “Bar São Sebastião.”

 

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These are the heroes of the Calhau Beach. Dressed in heavy sun protection these workers appear every morning to clean up the beach. As the day wears on, debris from the sea and from beach goers assures their jobs for another day.

 

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This concrete slab bears a mosaic evoking Maranhão popular culture, as the rainy season softens its grip and the skies are blue for more of the day.

 

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Spanish/Portuguese-style steps leading from the upper to lower historical canter of São Luís.  This man is drying his laundry on what was once an elegant downtown city passage.

 

 

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Graffiti in São Luís.  The building behind this wall may be renovated one day, but this is still a run-down and picturesque part of the historical center.  The plaza this wall faces appears to have been designed for speeches or small theater or dance productions, but it seems mostly abandoned now.

 

 

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Graffiti in São Luís.  This mural refers to an “urban quilombo,” a metaphorical version of the centuries-old form of rural community formed by escaped and freed slaves, sometimes with the support and participation of indigenous people and others.  For centuries the quilombos provided a haven of sorts for freed slaves and their supporters.the biggest of them historically, Palmares, was destroyed by government troops and adventurers in the mid-18th century. 

 

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Barracas, or beachside stands, Calhau Beach, São Luís.  In a couple of hours the vendors will show up, stock the huts with green coconuts, and spend the day selling “agua de coco,” coconut water.

 

Research on “cultura popular” Marenhense (popular culture in Maranhão)

Working with back-up equipment for photographing in our research project on popular culture, I often used the pocket camera.  This women directs a Bumba-meu-boi in one of Maranhão’s smaller cities.  This is in the workshop where costumes and equipment are prepared.  She is here reflected in a broken  mirror among the props.  She is a remarkably energetic performer and group leader, and helped he group, Bumba-meu-boi de Rama Santa be a very popular attraction in Sao Luis in the June festival.

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Interviewee for our “Women in Popular Culture” project in the interior of Maranhao .  Here she is reflected in a broken mirror in the workshop of the group she leads, Bumba-meu-boi de Rama Santa in Cururupu.

 

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This couple directs a Bumba-meu-boi group in a town near Mirinzal.  Far from the capital of São Luís they practice this heritage celebration on a a virtually non-existent budget.  In the older way of celebrating, most of the work is done by the participants, including the construction of their own costumes and, of course, the boi itself (the 4-foot ox figure that is danced in the festival).

 

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“Corroça do Boi,” (an oxcart) hauling bricks in Mirinzal.  In this part of the interior the rural economy agriculture is a critical part of the life, and cattle serve in many ways.  This is a real-life version of the emblematic animal whose name is carried in the Bumba-meu-boi festival, Maranhao’s most popular and widespread celebration.

 

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This woman was a leading celebrant of the Bumba-meu-boi until she lost her sight.  Here, in the city of Mirinzal.

 

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North Maranhão Dunes: Lençois (Barreirinhas) and Raposa (April 2016)

This post describes two areas in the north of Maranhão — the first is the vast stretch of dunes of the Lençóis Ecological Park.  The Lençois Park encompasses just under 600 square miles.  The 2005 Brazilian film House of Sand was filmed in the park.

The second is the fishing village of Raposa, which is known for its access to wandering rivers, islands, and eventually the Atlantic Ocean.  Raposa is also known for its local artisans who are specialized in making nets and in a specialized fabric form known as “renda de bilro.”  Renda is a form of of knitting or crocheting that is done with threads stretched over a large stuffed ball that is like a round pillow.  Each string is connected to a stick with a ball at the end that artisans cross over again and again to form lace and fabric. The design is formed around pins stuck into the ball that are guides for the yarn.

 

Lençois

The north coast of the Brazilian state of Maranhão has a huge expanse of dunes that reach along the Atlantic for miles.  During the rainy season (roughly December to May) fresh water fills small lakes and lagoons along the dunes.  The water gives the park its name of Lençois, which means “sheets,” since the lakes look like sheets spread out across the desert landscape.

The first photo set is of the Lençóis Ecological Park (also called Lençóis Maranhenses) is a protected national park that is reached from the small town of Barreirinhas.  The town itself lies on the Rio Preguiça the “lazy river.”

The river winds lazily through the north Maranhão landscape toward the Atlantic Ocean.  Along the way it forms the barrier (the root of the name Barreirinhas) which is a huge sand dune at the edge of town.  The river moves slowly toward the ocean, becoming more brackish along the way.  It is home to and vast stretches of mangrove trees that drop long air roots into the brackish water.   As the water become more salty near the ocean, the palm trees and mangroves disappear in favor of a forested area — which itself gives way to the dunes and the Atlantic Ocean.

 

Lençóis

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The Lençóis Ecological Park is a protected area of dunes on the Atlantic Ocean. The desert landscape is dotted with hundreds of lakes and lagoons formed during the rainy season.

 

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It’s late in the rainy season, and the road to the dunes leads through several miles of unimproved roads.

 

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The classic transportation to the dunes from the nearby town of Barreirinhas is a modified Toyota HiLux four=wheel-drive truck. The drivers are often referred to as “Toyoteiros.

 

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The Toyoteiros are highly skilled drivers who seem to know the daily changes in the muddy, sandy tracks to the dunes.  If you get stuck here you are, well, really stuck.

 

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A long lagoon reaching through the dunes

 

 

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Though the vegetation is sparse, some of the smaller dunes are held in place by plants.

 

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In the late afternoon the sun begins to sink over the Atlantic to the west

 

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A skilled guide can point out the few animals to be found there. This, they claim, is the world’s smallest frog. There are also foxes and occasional wild horses and donkeys that roam free on the dunes.

 

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This was actually my birthday, almost

 

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The two of us at one of the lagoons. This may have been the one called “Lagoa Toyoteiro,” named in honor of the Toyota drivers who get you there

 

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A lagoon reaching toward the sinking sun over the Atlantic Ocean

 

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The hardy, and younger, visitors scramble across the soft sand and the higher dunes. Some of us get by with hiking sticks and a little help from our friends. These sticks have baskets at the tips, and were probably designed for hiking in European snow and ice.  They were perfect, and were lifesavers in the steep sand inclines.

 

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The lakes are all the same, and all are different.  They vary in color from aqua to deep blue to nearly black.

 

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The beauty of the lagoons can cause you to forget that this is actually a desert.

 

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Looking to the north in the late afternoon

 

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Heliconia flowers near the pousada on the Rio Preguiça (Lazy River) where we stayed.  There are many varieties of this flower, which is sometimes also called the “false bird of paradise.”  This one was on a plant some 12 feet high.

 

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The Rio Preguiça behind the pousada. The word “preguiça” means lazy, but can also mean the animal known in English as a sloth, in English. They can be found here also, they say.  So can great stands of palms and açai berries.

 

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The Rio Preguiça is lined with palms of many types, such as buriti (which is used for everything), and carnauba (used for wax and many cosmetics)

 

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One of the small fishing/utility boats, powered by what appears to be a 2-cycle lawnmower motor with a propeller driven by an extension of the crankshaft.

 

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Much of the river population is supported by tourism and by fishing. Here fish are being dried in the sun

 

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For the tourists who don’t want to hike up to the lighthouse a short distance away, this entrepreneur has a dizzying array of liqueurs and drinks made from various local plants and fruits. We went to the lighthouse instead of this boutique country bar.  Those less enthusiastic about the claustrophobic climb up the lighthouse with dozens of sweating tourists with selfie sticks can avoid the climb by sitting in the low branches of a nearby cashew (cajú) tree.

 

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Along the river — a mix of fishing docks and buildings.

 

Raposa

The fishing village of Raposa has developed a route for visitors.  It includes little boats that take you among the wandering harbor and the mangroves to the fishing island of Curupuru.  There is a street of renda and net makers as well.

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This form of weaving/crocheting (sometimes called “renda“) was apparently brought to Raposa by migrants from the region of Ceara, further to the east of Brazil.

 

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Though there is only one color, this is an incredibly complex design required some sixty bobbins and pins to sort out the design.

 

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Women creating renda sit in open houses or on a boardwalk working on designs and sometimes tending the shops.  Some designs, like this one, are very complex and require many skeins of yarn, pins and bobbins.

 

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Raposa fisherman gathering boats together for lunch (they were having fish)

 

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The small island of Cururupu has some private property but is protected for use by local fishermen

 

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Fisherman on the island of Cururupu

 

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Untangling the nets in the lagoon off Cururupu island.

 

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The “renda” street is lined with small cottages and buildings, This man is carrying the ubiquitous “cofu,” a basket woven from the leaves from the buriti palm. Cofus are found all over Maranhão where they are used for carrying and storing virtually everything.

Water and Brazil, Some Reflections and a Few Photos

 

Water and Brazil

This is a preliminary reflection on water in Brazil, a country that, in principle, has enough for its needs and then some.  The problem is in the distribution and management of water, and in the infrastructure that should carry it to the Brazilian population.  Later versions of this post will have more research and photos, but this preliminary reflection is a rough overview of Brazil’s water situation as we have seen it over the last few months. Some of these photos have appeared in earlier posts about life in the interior.

What I show here is what I have experienced and photographed in Brazil — mostly in the northeast state of Maranhão, which is among the poorest and least developed in Brazil.  My own subjective experience is augmented by reportage from São Paulo and Maranhão newspapers and weekly journals.

 

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In a povoada (unincorporated settlement) near Rosário a woman carries water from a common water tank. The road and the scene could be from many countries in Africa, but this is less than three hours south from the Maranháo capital city of Sáo Luís. In this photo the season that brings rain is still weeks away and it has been dry for months.

 

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Not far from the city of Mirinzal, on the road near a povoada in the region known as the Baixada Occidental.  This driver is carrying a water tank to used where there is no municipal water supply or plumbing.

 

Some Larger Issues: Water in the Amazon and the Interior

The world is familiar with issues of conservation of the forests and aquifers in the Amazon region of Brazil.  The area is being deforested at an astonishing rate by miners, lumber companies, farming businesses, and others.  Farming of the lucrative cattle and grain products (e.g., soy beans) is creating more food and less water.

Directly or indirectly, forest and water in this region is especially threatened by the world’s demand for meat — either as cattle raised here or the grain used (and massively exported) to feed cattle elsewhere.  Some sources say that soy would be nine times more efficient as a source of protein if used directly, rather than being used as cattle feed to produce meat.  Much of the cattle ranching in Brazil is based on free range and thus needs space — this is perhaps the biggest threat to Brazil’s forests and water.

 

Water in São Paulo, and the Missing 20,000 Water Tanks

São Paulo’s reservoirs are threatened by a long, dry season.  Their replenishment is a matter of nature providing enough rain in the wet season.  But these problems are to some extent predictable and the infrastructure to manage a shortage has not yet been built.

Again, a major problem is in the distribution system.  In São Paulo there are eight major systems.  They are only partly connected and metro-wide “integration” of the water infrastructure is an engineer’s dream and a very problematic political task.

Brazil is currently plagued with a declining economy and is hobbled at the national level by corruption and feuding over ethics investigations, the jailing of leading political figures, and the possible impeachment of others.  In São Paulo the political situation is seems less contentious, but the water infrastructure demands a huge investment that is not readily accomplished in times of economic stress.

As an example, the northern zone of greater São Paulo is somewhat distant from the central commercial district and it houses a millions of people with modest incomes and standard of living.  This region is fed by the Cantareira water reserve, which has fallen to as low as 15% of capacity and has only recovered a few percent since the rains of the summer (i.e., the months that are winter in the Northern hemisphere).

Cantareira dropped to a “dead volume” — the level at which water does not freely flow out of the reservoir but must be pumped.  This depletes the volume further until, in theory, they reach the mud at the  bottom and the system fails entirely.  This has not been happened, but the measures to improve the situation have been difficult.

At full efficiency the Cantareira reservoir supplies 31 thousand liters of water a second to 9 million people.  By September  (24th) the newspaper Fohla de São Paulo reported that the system had fallen to about half that performance —  to 14 thousand liters/second and 9 million to 5 million people.  The slack in providing water to the northern region of the city has been taken up by shifting some load to other systems.

Load sharing is more effective if there is a metropolitan-wide system of integration, but that is not yet in place.

Another second tactic is rationing. This modifies the behavior of end-users by  simply shrinking the supply or, alternately, the hours of access. According to some newspaper accounts, certain areas of the affected zone are often without water for several days.  Sometimes the rationing is by time of day, reportedly as low in some places as 20 of 24 hours with dry faucets and toilets.  This is a working district so people may not be in their homes when there is water.  They need water tanks (caixas d’agua) that could be filled and would bridge the off-times of the municipal water.

The São Paulo mayor Geraldo Alckmin promised 20,000 new water tanks to be installed in troubled areas.  Thar was during an election campaign.  Only a fraction have been installed.  The city claims that they have not been able to deliver the tanks to many (or even most) households because nobody is home when the trucks come by (during the working hours of the city employees, of course).  This troubled half-solution is proceeding slowly, and only (it appears) under great pressure from the press.

Yet, the water tank is a basic feature of the Brazilian countryside and of most towns and cities in the interior.  Even in better-supplied areas, homes, businesses and factories use the tanks to stabilize their water supply.  This is true all over Brazil, in cities and in rural areas.

The problem, again, is one of distribution.  In this case it is the far-flung neighborhoods of São Paulo working people that are at the short end of the distribution chain.

But load sharing and infrastructure provide one approach to redistributing the water supply. Another is modifying consumer behavior.  For those that are more generously supplied there are a number of incentives to reduce consumption.  São Paulo initiated a system of fees (equivalent to fines) for usage above normal, and included a bonus for reductions in use.  Modifying consumer behavior in the better-supplied systems theoretically freed water to be distributed to the troubled districts such as those served by the Cantareira Reservoir.

By March, 2016 the São  Paulo situation had improved considerably due to heavy rains.  As a sign of improvement the system of fees and bonuses was scheduled to be suspended.

Recycling and Waste Management

There is an interconnected set of issues where water supply is limited and waste management is troubled.  In this small city of Mirinzal trash is routinely dumped (see large appliances  at photo right) and used tires are unceremoniously left about.  Both catch water during the wet season and become possible breeding grounds for mosquitoes.  In days of the Aedes Aegipti mosquito, such diseases as Zika, Chikunkunya and Dengue are major public issues (as is the spread of microencephalitis for which the mosquite may be a vector).

Managing water in the rainy season is important in its own way, as is distributing water in scarcity.  Trash and waste disposal are deeply interconnected with the water supply in both rural and urban areas.

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Mirinzal, Maranhão.  The discarded appliances at the right are problematic, as are the tires.  Both hold stagnant, standing water where mosquitoes breed.  In this case, it appears that the tires have been filled with dirt and are being turned into a garden of sorts.  This is the rare case, though.

 

Some Views from the Interior

Water tanks are ubiquitous in the smaller cities of Brazil.  The tanks are vital in the interior regions with no municipal water supply (photo above of ox cart, and the section below on caixas d’agua).  Settlements and towns in the country are often spread along rivers and water sources, but those sources are heavily used, vulnerable and the water often dries up or is unsafe.  The woman in the photo above is carrying household water from a common water source to her home.  This is not an unusual scene in povoadas. The most common source is be a well or a jointly-used water tank.  Rarely does a natural source meet local needs during the dry season.

Since much of our research is based in the provincial capital of São Luís and in the interior of the state of Maranhão, most of the photographs below are of that region.  Not shown are the indigenous regions of the interior where in September of 2015 there was a major water emergency, exacerbated by fires, in the forests of the interior.  Several cities declared water emergencies and much forested land was threatened.  There was insufficient water to fight a major fire.

These issues compound problems created by both nature by human and political behavior.

By comparison, São Paulo officials said that the water situation was only “really serious” when we begin to see trucks of water roaming the streets of the city.

In São Luís we see the water trucks almost daily.

Water in the federal state of Maranhão

Maranhão is a long way from the metropolitan centers of Rio de Janeiro and São Paulo.  Like those centers, it is on or near the Atlantic Ocean, but is dependent on its fresh water sources in the interior.  These systems are underdeveloped in general, and subject to shortages in dry seasons.

Readers of Brazilian popular fiction and many films are aware that the region of the sertão (often translated as “backlands”) has been depopulated for decades because of drought.

This region is has similarities to America’s “dust bowl” which emptied out much of the western region of the American Midwest during the dust storms of several decades ago.  In the United States this gave rise to a national rural recovery administration.  This period was memorialized in such books/films as John Steinbeck’s Grapes of Wrath, and in the photography of Dorothea Lange and others working for the Farm Services Administration.

The sertao is Brazil’s rough analogue to the American dust bowl.  It is not geographically part of the federal state of Maranhão, but some of the dry-season problems of Maranhão are reminiscent of these famous dust bowl regions. The beautiful green of the countryside and its forests become dry and dusty waiting for the rains.  Even the palm trees and ground foliage get dusty. In many years the rains are not enough to replenish the water systems.  This threatens rice and cotton  crops, cattle production, and the lives of the inhabitants.

Like the dust bowl, the Northeast of Brazil, of which Maranhão is a part, is a major source of out-migration.  People in the interior migrate to Maranhão, and many others make the longer trip to major cities like São Paulo.

In São Paulo, however, they may live in a district like that served by Cantareira where water is in very short supply.  In some sense, moving the population contributes to moving the “water problem” from place to place in Brazil.

Even where there may be water, the distribution systems may be only rudimentary — for example, as in the village market described below.

The first photo from the interior is from the small city of Pindaré where the market is a major outlet for freshly-caught fish.  This is a major source of sustenance and economic life in the region.

The market in Pindaré has a common water source — the faucet below provides water for cleaning fish and other market needs.

 

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This faucet seems to be the only source of water for the score of vendors, many of them cleaning and selling fish

 

In villages and povoadas in the interior, food preparation is a matter of careful planning and complicated hygiene.  The scene below brings back childhood memories of my grandparents’ farm where animals were butchered in the open and shared by many families.  There was little refrigeration and the best way to preserve meat was to keep it on the hoof.

In the scenes below animals come to the party alive and become dinner in the course of the celebration.  This is not “animal sacrifice” in the religious sense, but rather a practical way of feeding a large group.  The practice gains a spiritual/community sense in that there are often rituals or moments of praise for the gifts of food that they share.

Food Preparation

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This outdoor food preparation is at a religious celebration in Santa Rosa dos Pretos also called Santa Rosa do Barão), a settlement along the federal highway south of São Luís

 

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At the same festival in Santa Rosa dos Pretos — food preparation is continued “outside,” but there is no running water. This woman must prepare food for dozens of people without the benefit of a kitchen with cooling and running water.  Some water is provided by a water tank, or reservoir, but there is no stable connection to a municipal water source.

 

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Washing dishes for a large group of celebrants. These women do a remarkable job of maintaining basic hygiene and cleanliness in spite of having to hold their water supply in pans like this.

 

Some Household Systems

Grocery stores sell 6-liter bottles of household water.  These are helpful, but also enter the refuse stream of un-recycled plastic in the waste system.  More efficient are the delivery services that will bring you a 20-liter bottle within an hour or so if you live in a major service area.

A commonly-used word is “Diskagua,” which means you simply call and the water is delivered, usually by motorcycle (the disk portion of the word refers to the old-style telephones with a “disk” of numbers on a rotary dialer).

If you live in the interior away from an incorporated city or town, getting the bottles is much more difficult.  In some areas delivery is by truck, in others by motorcycle or by bicycle.

We have seen unlucky motorcycle diskagua drivers in heavy traffic with damaged and leaking 20-liter bottles lashed to the back.  In larger areas there are trucks carrying the bottles, but the “capillary” distribution to individual households is usually by small vehicle (or even by donkey cart in some places).

Apartments in the city of São Luís use this system since there is no potable water in the municipal pipes.  Many  have a boutique dispenser that also cools the water.

 

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Household drinking water. This system is repeated endless times in Brazilian homes, even in the city. The water is delivered in 20-liter bottles that are placed in a dispenser. Usually the delivery is by an underpaid and under-appreciated motorcycle delivery person.  When we gave a tip to our deliverer, he said “You’re not from around here, are you?”

 

The older water system below is from the kitchen of a pousada, or bed-and-breakfast where we sometimes stay in Pindaré.  We don’t think of this as a 5-star experience, and on our last visit there was no water at all until sundown.

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An older household system. Water can be from from a reservoir on the roof that helps balance out times of shortage and rationing. The sink is often dry, and water for cooking is stored in the red vase-like container.  In principle the water could also be from sanitary 20-liter plastic bottles, but you never know.

 

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This is such a venerable tradition that the urns are decorative and sometimes elaborated with lace covers. The original source of the water is often unclear. Depending on the householder, the water may be used just for cooking.

 

Plastic bottles are part of the solution, and part of the problem.

In the household systems above and below you can see that plastic bottles are an important part of the system.

Dependence on water, and dependence on plastic, go together in Brazil, creating a huge problem of recycling and plastic waste.  Plastic waste adds to other waste/rubbish removal problems to create standing water where mosquitoes breed in season.  This chain of interconnected water-refuse-public health issues begins with problematic hygiene in sewage and water systems, water shortages, generation of plastic alternatives for water, and the absence of recycling in many areas.

Solving any of these problems is like doing paper work with the Brazilian bureaucracy (where “Catch 22” is a basic situation) — you often can’t do just one thing at one office, you need to solve several other problems at different offices (which may be closed or across town).  The public health analogue is in the interconnectedness of water, sewage, waste removal, and recycling (all of which are, in turn, related in some way to other infrastructure issues in roads and the underlying water/sewer systems).

It is difficult to encourage recycling of plastic or reduce people’s dependence on plastic when getting water is so critical.  You might ask whether Brazilian could not simply get a reusable water bottle (like campers use). Many recycling-conscious people in other countries use camping bottles and refil them from a water tap.  This works where the municipal water supply is safe.  Many people do indeed reuse plastic water water bottles to reduce cost and waste.  When we are traveling in the interior we try to reuse commercial plastic bottles filled from our 20-liter tank at home — that is how we learned that they are thin and fragile, often cracking and losing the water (in your luggage or camera bag).

 

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A modest system with water of unknown origin. The plastic bottles are a plague in Brazil, but virtually the only safe water you can find in some areas. This is in a kitchen.  The house has no running water.

 

The home below is a modest one, but has the rare good fortune to have its own well water.  There is otherwise no municipal system of water or sanitation in this neighborhood in the interior of Maranhão (near the city of Rosário).

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It is rare that a household has its own well.

 

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This is not a home now (though it once was). It is an informal community space used for celebration. The indoor-outdoor kitchen is to the right. A long hose bring water from the neighborhood water tap in the street in front.  It is shared by many residents whose occupants generally have to carry the water to their homes.

 

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A closer view of the kitchen shows the common practice of moving some food preparation outside where waste is better controlled. The thin hose in the photo is about 75 feet long and runs from a shared neighborhood water faucet on the road. The duck will transmigrate to the celebration dinner here, without the benefit of running water.

 

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Utensils and water basin in the semi-outdoor kitchen.

 

In several of these photos (including the one below) you can see that individual households do try to recycle plastic bottles to cut cost and waste.  The bottle are not made to last, however.

Americans will be familiar with similar situations in the United States.  Residents in Flint Michigan suffered a serious pollution of their water, apparently due to decisions made at the state level.  As their water became unpotable, they were forced to buy bottled water (in plastic bottles, usually).  The irony is compounded by the fact that some of the bottled water supply was originally from the Great Lakes — rebottled and sold to them commercially.

 

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An old tank in side the building —  with the usual plague of plastic bottles.  This, and another cistern in the yard, are filled from the neighborhood water tap.  This takes the place of the raised water tank (caixa da agua) that would offer better sanitation and, when elevated, provide gravity-fed water.

 

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The outside cistern of the house. It is filled from the same community faucet but acts as a reservoir for non-potable water.

 

 

Calhau Beach Restaurants, São Luís

The beaches in São Luís are lined with restaurant and bars.  They vary in quality and hygiene, but some are quite popular regardless of what lies behind.  On the beach side of these businesses you can see the motley infrastructure that supports the kitchen and bathrooms.  It is hard to tell how much the bathrooms and kitchens are supported by city water or sewer system.  On rainy days effluent from the city purges into the bay.

The restaurant may be doing alright, but the runoff is part of the pollution in the the San Marcos Bay.

 

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Water tanks at ground level behind a beach bar/restaurant. One of the tank tops is broken — a potential problem in the mosquito season where uncovered tanks provide a breeding ground.

 

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More water tanks. They are filled from the city water system and provide stability in times of shortage. They are typical of infrastructure arrangements along the beach.  The apartment buildings behind have running water and their own reservoirs, but each individual apartment will have a commercial water bottle on a stand to provide potable water (see earlier photos)

 

The Ubiquitous Water Tank (caixa da agua)

The various household and commercial systems are often depending on water tanks for stabilizing the water supply.  They show up in the photos above.  Below are more such systems showing how common and essential they are outside areas of reliable municipal systems.

 

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Along the Brazilian federal highway BR135. This shows one plumbing arrangement that leads to the house. Blockhouses like this are often used to protect the water supply, sometimes even with gates ad locks.  This is next to a bus stop along the route south from the capital.

 

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A home in the countryside of Rosário. The water tank in the back is typical, as is the television antenna. Brazilian national policy has prioritized electricity and television access over water. Rural areas are more likely to have television then running water. This community is also served by a common well where women without a tank carry water in buckets down a dusty road (as in the first photo above)

 

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This is how plumbing get distributed — a commercial service in the city of Presidente Juscelino is delivering a large tank.  The truck seems to have other equipment to mount and create the plumbing for the tank.  This service is a huge commercial activity in the interior and in the cities as well.

 

 

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This system is in a settlement away with no municipal plumbing.  The tank is elevated and has two faucets — one that provides water in the basin below and another, with a thin hose, that takes water to the house behind.  The house also served as a restaurant and bar, so the water needs are significant. (This system is in a community called Rio Seco “dry river.”)

 

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Behind the house/restaurant/bar water is held in open containers, many of which are made from old tires

 

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A view from behind the house. The water tank is in the background in this photos. Hoses bring water to the washing machine an to various tanks and truck-tire containers. Here again the priority of water often collides with mosquito control. In the rainy season mosquito borne illness are a major health problem in Maranhão.  Plastic bottles are both critical and a plague.

 

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An inventive water system with old tires. They catch water in the rainy season and can be filled from the tank using this hose. There is no cover on the open water containers.

 

Sanitation

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A shower at a facility used for religious celebrations. Water is fed by a tank

 

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A typical outdoor bathroom. The pit toilet is surrounded by a woven palm structure. This signifies that it is a more or less “permanent” structure.

 

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This is a more temporary toilet made from plastic sheeting. You find them put up all over rural Brazil in spaces that are being used for celebrations and crowds. They are quickly put up, requiring only a few sticks, a plastic sheet, and a shallow hole in the ground. As the celebration wears on, guest wait for the dark so they can use the more sanitary trees beyond.

 

Experimenting with a small camera

 

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During the rainy season the sky is generally overcast at the ocean, but there are occasional breakthroughs of the sun. Here it reflects on the shallow tidal pools that last for a while after the water recedes.  Taken with a small Canon pocket camera.

 

The beauty of this place, such as the sunset on the Bay of San Marcos above, clashes with ecological compromises and infrastructure problems that are a constant source of ambivalence for us as we visit the beach nearly everyday.

The above photo and the black and white photos below are all shot with a small camera that became more important after the theft of some of our main equipment.  (More on that in an earlier post.)

Because of the equipment losses, I have been experimenting with a small Canon that was formerly just my walk-around camera. It fits in my pocket when on the beach and is a good companion when I am in town and don’t want to carry heavier equipment.

These photographs are all from the beach in Sáo Luís and in one of the central city’s shopping streets.  It was once an elegant area but has been abandoned by the middle class which has moved to the outer rings of the city.

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Rua Grande, a main shopping street in the center of São Luís. It is filled with storefronts and vendors of counterfeit goods.

 

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Fruit vendor, showing how heavy his load is.

 

I have been working without my basic camera for a while and have used this little Canon S-100 in situations that I might have reserved for a larger-format camera. Its small sensor has about 18 MP squeezed into a body the size of most point-and-shoot cameras. It has adjustments for aperture and shutter speed, and zooms from 24mm to 120 mm.  It shoots in RAW format which gives a lot of latitude for subsequent computer processing.

There are newer small cameras with larger sensors, but this in the one in my pocket most of the time.

 

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Hat vendor, early morning.  The sun is usually bright by 8:00 am.

 

This small camera is handy if you don’t need large format prints or are photographing simple compositions.  Because it is easy and inconspicuous to carry in a pocket, it fits the old rule that “the best camera is the one you have with you.”

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This water carries runoff from the city into the bay and then the ocean. During rainy season the runoff is greater, but more diluted. When the tide comes in it washes back into the lower city. The flux dirties the one (the bay) and flushes the other (the city). This part of the bay has not seen healthy wildlife or fishing for years.  There are also cast away items from the many freighters in the bay that pick up metal ore in the Port of Itaqui (owned by Valé, one of the owners of the company whose mining dams broke in Minas Gerais and washed away towns and dumped tons of toxic slag and mud into the Rio Doce, then the ocean).

 

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These are not the recreational bikers from the upper beach walk, but young men coming to work.

 

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Egrets (garcas) sometimes come to the tidal pools to feed when the tide goes out

 

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This is a small snail that is left by the tide. There are many of them, but I don’t know where they are going as they make these patterns in the sand.  they  may be part of the same food chain a the garcas.

 

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Restaurant display of bottles

 

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Sun shelters along the beach, early morning.

 

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The rocky part of the coast is popular for fishermen and dog walkers.  The rocks are under water much of the time and are covered with sharp shells.

 

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These rocks are exposed at low tide. The sky is  brilliant in the weeks just before the rains come (usually in January).

 

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There are different ways to live at the beach — this is one

 

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And another …. the middle class end of Calhau/Ponto do Farol

 

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The other end of the beach, near the reggae bars and alternative (non tourist) life.

 

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All over Brazil we find street vendors sleeping in their huts or on their carts.

 

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And yet another resident.  The deck is painted with religious symbols and graphics.  It is common to see religious sentiments on the beach   Here “God loves you” is even more common. than the usual versions of “I love ….”  On some days you find a meditator sitting in the middle of occult signs.  This person, though, is decorating his home.

 

 

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A mosaic angel, a bit fallen

 

Every time I see this place I think of Rick’s Place in Casablanca — “Of all the gin joints in all the towns in the world, she has to walk into mine” — but Kallamazoo?  Most beachfront places have names like Rising Sun, or Ocean Bar, or Adventurer, but some have named like this and “Mallibu,” invariably spelled with Brazilian indifference.  I have not stopped to ask if they specialize in central Michigan cuisine, hesitating  to visit in case they have burgers and the University of Michigan football game on television.  A better guess is that they have the same fried fish and french-fried manioc strips (macaxeira) that everyone else does.

American romantics should be warned that no place on the beach plays bossa nova, jazz or anything remotely like classical (not even Astor Piazzola or Brazilian classical guitar).  It is Brazilian pop and dance music, leavened from time to time with an folk singer crooning “Sweet Caroline” or “Eleanor Rigby.”  One night we had Bobby Darin’s “Splish Splash” — an old favorite in Brazil, translated into Portuguese.  Beach music is made for drinking, not subtlety.

Oi!

 

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Definitely not Rick’s Place from Casablanca, nor Harry’s Bar in Paris. the Calhau Beach in São Luis has “Kallamazoo.”  Every sign on the beach is in identical format with the Coca-Cola emblem and matching red plastic chairs.  The classier joints have different colored chairs.

 

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A tasteful sign for Brazilian cuisine — the Full Belly Barbeque

 

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Egrets, I think. A bit worn, like the fallen angel in an earlier photo (above).

 

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This is a crumbling mosaic on the Calhau Beach in São Luís, Maranhão. I think it originally showed a crab fisherman, but I see it as a metaphor for the city — a decadent romanticism with a crumbling infrastructure and deep social, environmental and health problems.

The Sao Luis central produce market (CEASA Maranhao)

 

Sao Luis has three markets that are favorite places to photograph– the Mercado Municipal (city market) city’s historic center, the Mercado Central (central market) just above the city center and what wold have been the city center in the late 19th century, and the central produce market (CEAS-MA) a bit more removed from the old center but placed at a busy intersection for easy access for trucks and cars.  There is also a Mercado de Peixe (fish market) near the Praia Grande at the water’s edge below the historic center, but I haven’t figured out how to get there early enough to photograph.

The Mercado Municipal and the Mercado Central are wonderfully tacky and unsuited for actual food consumption — a photographer’s dream, in other words.  The CEAS – Maranhao is a working produce market that supplies the region with fruits and vegetables.  There is some animal protein as well (fresh chicken, crabs, shrimp), but this place is above all a bustling produce center.

CEAS seems to be the place where groceries and restaurants buy their fresh produce.  It is huge, though not compared to New York or Sao Paulo, and it has a constant stream of vehicles coming in and out in the early morning.

This is the place to buy fresh produce.  There are also specialized vendors for prepared food, spices, and other items that are hard to find in neighborhood markets.

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The basic engine of the market — strong young men loading and unloading trucks. Some come from as far away as the farms and produce distributors in Sao Paulo

 

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In front of the market. There is so much going on that there is scarcely a place to sit, and then on boxes and crates

 

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Individual retail shoppers are also here — and they are very careful shoppers

 

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The fresh crab lady at the entrance of the market

 

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The non-vegetarian section outside the market. This is very fresh chicken. In the lower left are live chickens in crates. In the upper center of the photo some of the chickens are feet up and ready to be sold

 

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Vendors in the central market. Those are mangoes below

 

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Bananas, huge watermelons, green oranges. A common type of orange here is green in color and relatively hard. It is eaten by peeling the outer skin, then the inner white covering. If you buy from a street vendor they remove the first skin, and may remove the second one if you ask

 

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My favorite mango seller

 

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It is often difficult to find fresh herbs and spices in the city grocery stores. This man specializes in them and has some of his own mixtures

 

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Men moving huge pumpkins from storage into a truck. This is a place of hard work

 

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This food vendor serves a Brazilian specialty that may be unfamiliar to foreigners. It is a “tapioca” — not the tapioca pudding you might remember from your youth, or the tapioca balls that are srved in Asian markets in San Francisco.  In Brazil the raw tapioca is fried as a crepe or small pancake, then filled with cheese, sweet condensed milk, or more imaginative fillings. This is the basic, throat-clogging tapioca

 

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For those who want more than tapioca, this restaurant serves workers and visitors. The scripture is the one that begins with “And Jesus said ‘I am the bread of life…'”

A brief walkabout in Sao Luis

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This is the central square of Sao Luis historical center. There is a performance venue behind where we are standing, market on the left. This is a quiet afternoon with virtually no tourists and too much sun for meandering about. On festival days, most evenings, and special occasions there are reggae bands, street vendors, restaurant tables, and swarms of people. On quiet days like this you can actually visit the Casa das Ferramentos, the turquoise blue hardware store on the left

 

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One side of market with shops along Rua Portugal. The street names often reflect the fact that this was a Portuguese colonial city (after they took it from the French, who first settled Sao Luis — and gave it it’s name —  in 1612)

 

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The front of the market, opening onto the square. The entrance leads to a cluster of small shops, the most exotic of which sell huge baskets (cofus) of dried shrimp, bulk packages of roasted cashews, produce, and odd-looking bottles of stuff (some of which is recognizable as liquor or pepper sauce, but others of unknown origin). There is even a shop where you can but a 50 kilo bag of garlic.

 

IMG_2096If you were planning to give up drinking, this is a good time.  The purple bottle to the left is taquira, a strong liquor made from manioc or cassava.  Known locally as mandioca, manioc is a staple food of he interior and with indigenous people.  In town it can become macaxeira which is fried like french fries, or it can be ground into farofa, a dense flour that is spread on food.  The one on the right says something about butter, but I’m not drinking that one either.

The nutritional benefits of the purple liquor are unproven, and generally not to be recommended.  On the other hand, manioc itself is a regular feature of the Brazilian diet, and in the interior it is a basic food item (like potatoes and grain at the same time.

 

IMG_2094Another thing not to drink.  It is popular to place fruits and sea creatures in bottles of alcohol.  They seem to be made by cutting the bottle and resealing it with a woven cover over the cut.  Perhaps, though,  this is just my pragmatic notion.  The crabs may have gotten into the bottle of booze some other clever way.

 

 

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Sao Luis has been declared an international landmark by UNESCO because of its colonial buildings and the distinctive tiles (azulejos) that date from the early French and Portuguese colonial period. This particular building now houses government cultural offices , a few commercial shops, and a capoeira studio.  The old porticos are closed now and used here for street art.

 

IMG_9827In an earlier post I described a visit to the artisan mask-maker Abel Texeira, A mask (here known as a careta) takes thousands of beads, sequins, tiny glass tubes and other decorations.  Here is one of the shops where most of the supplies are sold.

There are higher quality decorative materials available in Sao Paulo, and at least one embroider (see post on Dona Tania Soares) gets materials there whenever possible.  They are said to be expensive Japanese embroidery decoration, not found in Sao Luis.

IMG_2101The historic center has a thriving market for tourist trinkets and craft work.  Some seem to have a “traditional” or even esoteric origin (Afro-Brazilian or indigenous spiritual entities), but many have a kitschy tourist quality full of with stereotypes of women and rural Brazilians.

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Hammocks (redes, in Portuguese) are available in shops everywhere. They vary in quality and color. This one is in front of the “Abolition Store,” which features Afro-Brazilian and reggae/rastafarian themes. In fact, this small plaza area is home to a colony of reggae bars and culture. Sao Luis is often called the “Brazilian Jamaica” because of the prevalence of “roots reggae” here

 

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A small plaza where Tambor da Crioula groups dance during festivals, and which is normally filled by night with reggae music. Above the painted door is a reference to Sao Benedito, the black saint revered in the Afro-Brazilian dance form of Tambor da Crioula (another post on this later). Saint Benedict is also “Saint Ben,” known in many other countries as a patron of blacks and the poor.

 

IMG_9876This is another side of the tiny reggae plaza, with the slogan “Arroz, feijao, and ganja.”

This translates to the basic Maranhao reggae diet of “Rice, beans, and ganja (marijuana, maconha).”

Most nights there is an intense atmosphere of loud music and various herbal fragrances.  The hotel where we normally stayed is nearby, so we could enjoy the reggae until 2:00 or 3:00 am.

 

 

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Sao Luis is beautiful but not wealthy. These Iberian-style steps connect upper and lower parts of the historic center and have been under renovation for years.

 

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Joelma travels to indigenous territories in Maranhao to bring back artisanal work to sell in this shop in the historic center.  She is a constant source of information about the status of indigenous people in the interior, who are threatened by hunters, miners, the lumber industry, road construction, and land conflicts of all sorts. In the complex racial and ethnic culture of Maranhao, the indigenous peoples are both protected and threatened.  Many live on what are referred to as the “remnants” or remains of quilombos.  For centuries freed and escaped slaves escaped to remote regions, often in the deep forests, to communities whose remoteness gave them some protection the plantation owners and slavers.  Many intermarried with the indigenous peoples who often supported and protected them.  Today the quilombos and other small settlements often show this centuries-old ethnic mixture.

Unlike the United States where there were limited wild spaces for slaves to escape, the first Brazilian quilombos were often deep in the interior where the white authority could not easily reach them.  Many were founded by escapees and free blacks at least as early as the 17th century.  The largest of them, Palmares (in the current state of Alagoas) was said to have had a population of some 20,000.   It lasted from 1605 until 1694 when, after several unsuccessful expeditions against them,  they were wiped out by an army of mercenaries.

 

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Some of the basket work from the indigenous settlements that Joelma represents.  They are all woven from different varieties of palm, whose endless variety here provides natural materials that fill a myriad of uses for construction and practical items like baskets.

Some more thoughts about the beach

In late October we moved to another temporary apartment a bit further from the beach and more to the west along its trajectory.  We still visit it once or twice a day, but new location changes the view a bit.  In an earlier post I described the physical sensations of living at the equator and talked about the beach.  Since then we have moved westward along the beach and experience it a bit differently.  We are further from the slightly rough-cut apartment along the beach avenue and closer to the middle-class high rises you can see in photos below.

IMG_1307Sunday morning  — after a long walk you can get fresh green coconuts.  They cut open the top and place a straw for drinking the coconut water inside.  If you wish, they can crack the coconut open later so you can eat the soft flesh.  These “green” coconuts are much different from the mature brown coconuts known outside the country.  They are still filled with fluid that is reputed to be full of electrolytes and is restorative on a hot day.

Living near the beach in Sao Luis, Maranhao means beginning and ending each day with a walk on the sand.  Here we look to the north and west where freighters wait in anchor further out in the bay.  One by one they will circle to the north and then west to pick up their load of iron ore from the Itaqui that services the Vale mining enterprise.

 

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The tide and winds would cover some of the restaurants if it weren’t for these workers. I think in an earlier post I mentioned Sisyphus and his mythical curse of pushing a boulder up a hill in perpetuity. This is also a metaphor for dealing with the Brazilian bureaucracy

 

We see the early life of the beach, including these men who work each day to put the beach “back where it belongs.”  Each tide brings in more sand, and the prevailing strong winds from the east move the dry sand toward the dunes to the south — where the restaurants are.  To keep the tables from disappearing requires constant shovel and wheelbarrow work.

 

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There is station of “Bombeiros” (above, center) whose job may be rescue work, though we see them mostly running in formation, riding in an all-terrain vehicle, and preparing to do something in the boat to the right. In the foreground is a vendor’s ice cream cart

The bombeiros are a rescue and life-saving squad.  They are often garrisoned in a military-style facility.  At the Calhau beach in Sao Luis they have a headquarters where they train.

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Bombeiros training on the beach.  Their training also seems to include a periodic pick-up soccer game on the beach

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This is a late afternoon soccer game with spectators.  By 6:00 pm the sun has dropped below the horizon.  Being on the equator means roughly 12 hours of sun a day throughout the year.  When the sun is up, it is fierce.

Morning and evening walks are the most comfortable when the sun is low and there is a bit of an overcast.

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On this Sunday morning you can see how the packed sand is a great surface for walkers, bicycle riders, and the occasional horse or two

Evenings are when the egrets (called garcas in Portuguese) visit the shallow tide ponds.

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in the evening egrets come to the small tidal ponds

 

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There are other animals as well.  Most dogs here are little apartment-sized animals, interspersed with a few Rottweilers walked by big guys with tattoos.  This one comes here on his own every day

 

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A wedding party being photographed in the early evening

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We don’t know the name of this tiny flower that grows in the dunes, but it has a set of needle-like leaves that remind me of the late stage of climbing climatis plants. It’s a surprise to see flowers surviving the human and natural conditions of the beachfront.

 

 

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The western reach of the shore is rocky. The buildings are constructed on a rocky portion of the coast that is called Ponto Farol (Lighthouse Point) — recalling the lighthouse that announced to ships the treacherous shoreline here.  The smooth, flat bottom turns abruptly to a rough, unforgiving rock shelf that is mostly hidden in high tide.

 

IMG_1976The dunes shield the beach from the south side (where the road and pedestrian walks and restaurants are).

With a little careful framing of the photo the beach looks a bit more deserted that it really is.

 

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This statue at the west end of the beach recalls the fishing history of the region. Now shipping and urban misuse of the water have caused the fishing to move elsewhere

 

 

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The third of the Sao Luis fishermen, and the most eloquent

 

 

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In place of the fishermen there are now mostly ore ships (bound for Itaqui, the iron ore port), and kite-surfers. These two explained that they sometimes surf along the coast from a beach several miles north — when they feel like a long ride.

 

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Most of the bars are on stilts because of the drop from the dunes and rock formations to the to the lower beach. I’m not sure a safety professional paid much attention to the engineering here

 

IMG_1330Some days the tides are high.  This day was one of heavy overcast and the night before one of a full moon.

 

On days like this we walk on a running-bicycling sidewalk above the beach.  This takes us past the bars and restaurants.  In early morning some of the kite surfers are getting ready, and the boot camp has moved to the high ground.   As the photo below shows, the supports are exposed during low tide and much of the day.

 

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Another beach-side look at a bar/restaurant. Frankly, I’d sit closer to the front where the building rests on rock

 

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The bars all have similar engineering.  Here, early in the morning, the heroes of the beach (in orange) clean things up for another day of humans.  They wear full orange suits with hats and neck covers, looking a bit like a disposal crew for hazardous waste (which is not entirely untrue).  Each morning they take a break in shade of one of the bars on stilts.

 

 

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The dunes and palm were doing just fine before the developers took over the upper ridge of the dunes

 

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The nature of construction along the beach shows that there is a strong “we’re up here and you’re down there” social organization

 

Living at the equator, near the beach

 

 

The Beach

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Tide pools and rivulets at sunset, Calhau Beach in Sao Luis

 

Tonight the conditions were just right for the terns, the egrets and the kite surfers.   There is a prevailing wind of about 25 miles per hour from the east, sweeping the beach along its length, which runs nearly a perfect east-west trajectory.  Tonight the wind was a bit higher and seemed to have shifted a bit to the north, blowing large waves across the bay.  The tide came higher than usual, shrinking the beach to a fraction of its normal width and creating a huge expanse of damp, slightly packed sand.  Each long rolling wave brought new little creatures to the shore, attracting terns and egrets.  There were the occasional clusters of young “boot camp” athletes running around orange cones they laid out in a beach course, thrashing along to a techno beat from a portable music system.  They didn’t discourage the birds or anyone else because the offshore wind blew the sound away from the water.  Even the egrets don’t seem to care because the peck about in the shallow tide pools without much concern for human.  Also, there were always a dozen or more kite surfers in sight.  A 25-30mpg wind gives a wild ride.  The strongest of them could heel hard into the wind, gathering their strength to leap some ten feet into and over the waves.  The stronger ones could reverse field and sail back into the wind to prepare for the next downwind run.  It is the beginning of a long weekend, and the beach is as clean and wild as it will be for days.

 

What is the physical experience of living near the beach? (Not quite what you would think if you have been looking at travel posters from Rio de Janeiro)

There is a new world of physical experiences for those who have spent most of their mortal existence not far from the 42nd parallel in the northern hemisphere.  In the so-called temperate zones of the northern hemisphere the southern and northern weather systems compete and shift the weather from cold to warm and even hot, for a short time.  The winter days are short and the summer days long.  Temperatures may range over the year from 95degrees for a few days in the summer to long stretches below zero in the winter.

 

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Walking east on the beach, into the wind, at about 8:00am on an overcast day

Not so here on the equator.

Actually we are a degree or two above or below the equator but the difference is too small to notice.  By the way, that is the – 0th  parallel, 42 degrees away from home.  Instead of large shifts in the temperature and number of hours of daylight, there about 12 hours of daylight and 12 of darkness each day, every day of the year.  Some sensitive souls seem to find a few minutes difference from one solstice to another, but 12 hours of sun is pretty much guaranteed — and what a sun it is!  Dawn is about 5:30 to 6:00 am and comes rapidly.  By 7:00 there is a strong sun, by 8:00 it is bright and by 9:00 the sun drops on your head like a hammer.  The heat is mitigated by the prevailing winds at the beach, but deeper in the city you are on your own with the noonday sun.  When it is at a peak, you may remember the old British song about “Mad dogs and Englishmen,” who are the only ones odd enough to go about in midday.

Here it is the laborers and people in service positions who have to keep moving about in the sun.  The middle class is air-conditioned and indoors, but the young man delivering 50-liter water bottle or tank of propane gas on a bicycle is on the street.

Being near the beach is wonderful for an early riser.  I can stretch and practice yoga on the (small) balcony from 6:00 to about 7:30 when it becomes a bit too sunny in the reflected heat of the ceramic balcony tiles to be pleasant.  Then a walk on the beach – so far, to the east into the rising sun in the morning and to the west, into the setting sun.  The ocean air (maresia) coats your glasses and your lips with a thin film of salt.  The firm sand surface is soft enough to walk on barefoot but it doesn’t hold you down like the light, fluffy sand in the travel posters.  Walking is easy and comfortable.  Jogging, bicycle riding, dog walking and various physical disciplines (including soccer) are native to this beach.

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Surf casting is popular in the early morning and evening

But on the beach you walk leaning into the wind, which is relentless at 25 or so miles an hour.  The sun drops suddenly at about 6:00 pm as if someone had flipped a light switch.  By then you have had your 12 hours of sun, most of it between 80 and 90 degrees.  With the darkness, the temperature may drop to about 70-85 degrees… or it may not.

Physically, you are almost always comfortable in shorts and your wardrobe is,well, basic .. unless you have to go to town, or appear on the evening news where an uncomfortable black suit seems to be the style for local announcers (90 degrees and all).  However, most of all, it is the suddenness and intensity of the sun and the constancy of the temperature that creates the world of physical sensations that are so different from the “temperate” climates.  It is not that all this is exotic or so much more appealing, but that the body and the spirit react differently.  The noonday sun drives you inside just as the northern winter does.

 

The sunrises and sunsets are lustrous if you catch them at about 6:00am and 5:30pm.

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Eco beachcomber at sunset, Sao Luis city at upper left

 

What is Sao Luis like?

 

This may sound more exotic than it is, even though I’m writing from the balcony of a small apartment near the beach in Sao Luis (Maranhao).

Like much of Sao Luis, an underserved and infrastructure-poor state capital in the far northeast of Brasil, the beach area is a bit rough-cut.  This particular apartment is not quite ready for guests (unless they are really good friends), but it has the charm of my graduate school days and my first years of travel in Europe.  It is refreshing to do your laundry in the shower and perform the agitate/rinse cycle by stomping on the freshly soaped clothes.

Old fashioned home laundry is generally not a problem because things dry in a hurry (some are on a drying rack next to me on the balcony), and because your normal wardrobe is a pair of shorts and sandals.  Sandals can come in rubber flip-flops or leather, and you can wear a shirt if you insist, but the wardrobe is pretty basic.

Besides, we are moving later this month to an apartment with a washing machine.

When we go to the most interesting part of the city – the old historic city center — to meet with culture officials bureaucrats or for the festivals I wear long pants ….. reluctantly… and only then because (1) the city/state offices won’t let you in if you are in shorts, or (2) within the physical culture of Brazil it is appreciated if older guys with long white legs bow to public aesthetics and cover up a bit.

 

More at the beach

The beach at peak times is nice enough, but this is not place for soft bossa nova music lilting The Girl from Ipanema in your ear.  That is Rio, and only in the travel advertisements.  What the ads don’t show is that people on the beach in Rio carry only what they can carry (to avoid theft), avoid the nighttime, and have bodies pretty much like you and me.  The breathtaking bodies of popular image are there in a dizzying way, but we see them mostly because the camera are not pointed at the middle-aged couple with stomachs and tiny bathing suits just next to you.

 

Here, in Sao Luis, the bathing suits are bigger than the Rio “dental floss” (fia dental) suits, and the diversity of bodies is pretty much representative of the human race in general.

 

Though this not Rio or any other travel poster beach, the early morning and evening here are remarkable in their own way.

 

This is not because the beach is idyllic and romantic, but because this is a public beach with all the life and diversity you expect in a busy place.  There are walkers/runners/joggers from some of the more elegant apartments nearby, and there are the morning maintenance crews, fishermen, yogis, dog walkers and early morning vendors.

Like the rest of Sao Luis, it is a bit ragged.

 

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Crowd on the “Dia dos Criancas,” a national holiday dedicated to children.

 

In the morning you may see:

 

A dozen or more large ships waiting offshore for a berthing place at the city dock

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A kite surfer, in the background is one of the dozen or more large ships waiting to enter the Sao Luis docks

Guys with shovels trying to move the beach back to the water to uncover the restaurant tables that are gradually sinking into the sand

A horseman exercising this mount along the beach, or perhaps he is just commuting.

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A few children already in the water

Eco-friendly walkers picking up the trash washed on the beach (we are averaging about three bags a day). Others notice this peculiarity and once someone brought us her some trash our bag.  She handed the plastic bottle to us and remarked that “when people hurt the environment like this, they hurt themselves.”

Philosophers and artists and poets are at home in Sao Luis, and sometimes they are out in the morning … and sometimes picking up plastic bottles.

On the other hand, a more practical philosopher stopped by to point out that “You ought to wear gloves.”

A local cultural note:  the most common beach trash (except from endless coconuts left by the consumers of “coconut water”), are the plastic bags that vendors use to sel shrimp and nuts, little plastic cups, water bottles, and little bottle of bleach.  The last takes a bit of explanation:  my fashion advisor explains that Brazilian women use the bleach to lighten the hair on their bodies and legs.  You do it at the beach, of course, so you can wash it off in the surf.  You wear little rubber gloves while you are bleaching and soaping, and these sometimes join the beach detritus.

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Another morning beach inhabitant

And, of course, there are various creatures that wash up on the beach and try to find their way back.

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Jelly fish, like a little baloon on the beach.

Mid-day and peak times are a little less appealing (see “Dia dos Criancas” photo above).  There are crowds and usual beach behavior, of course.  And not all of us love the beach life.  Three hours at the beach is a long day, or two days, it seems.  The reason it seems so long is that you cannot read or converse or sleep.  There is a constant trail of vendors selling sunglasses, nuts, roasted cheese, beach towels, shrimp, huge bags of crabs, and curiosities of all sorts (not to mention the caricaturists and artists with jewelry and paintings).

So much for reading and dozing in the sun.

This complex social and economic system is compounded by the fact the beach is lined with restaurants.  Each has tables and umbrellas where you can sit and graze your way through greater and lesser meals, the water from green coconuts (or a whole coconut, for that matter), drinks of all sorts, and even gargantuan plates of fish.

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Uniformed city beach workers clearing debris in the morning. These are the real heroes of beach — without them it would be uninhabitable after a few days.

 

The beaches are democratic and open to everyone, but an umbrella comes at the price of incessant commercial attention.  Seasoned Brazilian beach-goers seem to welcome this as part of the buffet of being on the sand – conversations must be limited to the time between vendors and waiters, so it is best if you have an attention deficit disorder.

The mornings and evening are non-commercial and these are the times when the older beach people and joggers are out.  One morning we even saw and heard a large cohort of coast guard or firefighters running in cadence and shouting.

For someone who did not grow up near the sea, the moods of the beach are a revelation.  There are high tides in the morning and evening.  The beach is long and flat so the water comes up high on shore.  This creates an interesting beach.  It is generally moist and washing by the surf all day — except for the dunes along the roadside where the restaurants are. This means that the sand is somewhat more packed and solid so you can comfortably ride bicycles, vendors can push carts, you can exercise your all-terrain-vehicle … or your horse.  Walkers and joggers have a forgiving surface without sinking into sand.  For extra resistance they walk in the water and do a sort of water-aerobic walking/jogging.

 

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These “moon rocks” are at the end of our usual morning walk. They are treacherously sharp with encrusted mussel shells. A bit offshore they are a favorite place for surf casting.

 

It has moods by time of day as well.  In the morning the local walkers and joggers are out in large numbers.  Families start to appear by early mid-morning, and the beach cleaners are usually finished by then.  The most energetic of them have wheelbarrows and shovels and try to take the loose sand from the restaurants (where some of the tables are gradually submerging) and move part of the dunes back to the beach.  This goes on every morning.  When the winds are high some of the tables are unusable because the sand is too deep for a chair.  It has a slightly “Planet of the Apes” feel where nature takes over from the annoying and invasive human species.

The one thing nature cannot do is easily dispose of the plastic waste that people leave on the beach – the hired beachcombers do that in front of each restaurant, and there is a crew that cleans the rest of the beach periodically.

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The winds and tide move the beach toward the restaurants and the dunes at the left. He is moving the beach back. The truck and front-end loader at the rear are picking up the accumulated debris. The head covering is a concession to the sun, which is extremely penetrating even at 8:00 am.

 

Recently there have been other moods.  When there is a firm beach and a section of dry sand, the fine sand drifts over the packed surface in waves and streams, skimming along the beach.

Even more beautiful are the small pools that gather during the higher tide washes but stay as little ponds.  They are adored by children who use them as little play pools.  They are adored by photographers by early morning and late afternoon light because they catch the light and create the effect of acres of small lakes reflecting the colors of sunrise and sunset.

This creation of shallow tide pools echoes in miniature the immense dunes of Lencois to the north where hundreds acres of dune landscape are preserved in a series of parks.  In Lencois, rainwater fills hundreds of small lakes that can be used for swimming.  The dunes are ideal for diving, rolling down the incline into the water (sliding with your body), or using to “write” with your feet a philosophical or trivia message (“UWM,” has appeared, but then so has “I am confused.”  These messages were done, I think, by different groups).

 

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The flat, transient tidal pools that swirl and eddy at high tide. This attracts the egrets and terns who find lunch in the tiny wildlife in the pools.

 

The notion of “popular” beach is important in Brazil.  It means both “public” and “for the people.”  The wealthier have their own properties and zones of less accessible beaches, but the popular beaches are democratic and diverse.  In Sao Luis they don’t seem as risky as those in Rio often are, with petty criminals and young people coming to the beach to snatch up whatever is left loose.  People in Sao Luis do not carry much to the beach either, but during the daylight hours the beach is active, democratic, and safe.  The elite are not here, for the most part.  But the restaurants are moderate to a bit more expensive, several have live music, and a few are famous for the musical talent they have on weekends.  Further down the beach, they say, is Sao Luis’ most famous “roots reggae” bar, which they say is for a “vibrant young crowd.”  We haven’t been there yet, and may wait until we have some “vibrant young” guests visiting us.

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This is a democratic beach with soccer games everywhere. In the foreground you can see the light sand skimming over the packed beach surface that makes this such a good place for pick-up soccer games. Some groups bring goal posts and nets.

 

By the way, a last comment on the bossa nova mystique of the Brazilian beach.  In nearly three weeks I have not heard the One Note Samba or Girl from Ipanema once – not once.  I have heard a Pink Floyd cover band with a dismal version of “Another Brick in the Wall,” Abba and the BG’s, popular songs that all sound pretty much alike, and occasional rock/folk groups.  There have been nights of major talent, but that is at the end of the beach where there is a small amphitheater and stage.

 

When  you visit here, bring your own sound track. And while you are at it, bring plenty of sunscreen, a silly beach hat (the safari-type with a neck cover is ideal for northern skin), and perhaps your surf board or kite-surfing rig (see below).

 

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Kite surfer checking his equipment before going out. As in most sports there is a specialist knowledge — he explained that the particular place where he was standing had a particular wind pattern caused by the dunes.

 

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Kite surfers in the late evening, looking west