Batizado (Baptism): Bumba-meu-boi da Floresta

 

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The neighborhood of Bumba-meu-boi da Floresta

 

The batizado of Bumba-meu-boi da Floresta was especially meaningful, and sad, this year.  The founder and leader of the group for over 40 years had died the previous week.  This leading Baixada group, based in a bairro of Sao Luis, holds a private baptism on June 23-24 — in the heritage manner.  The ceremony begins late in the evening in the group’s headquarters (sede), and the boi is baptized after midnight after prayers and hymns in a long liturgy.  The group then enters the street in a procession that lasts into the early hours of the morning.

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Batizado in the headquarters of Bumba-meu-boi da Floresta. the new boi is placed before the altar. Leading members of the group are at the sides.

 

The recently-deceased leader, Mestre Apolonio Melonio, died at the age of 96.  He joined Humberto de Maracana, another iconic figure of the BmB, who died only a few months before.  Just a few years before that Maranhao’s popular culture lost  Terezinha Jansen, leader of Boi de Fe em Deus, who died in  2008.

As the older generation of founders and leaders leaves the scene, leadership is passing to a new group of leaders who are often women and products of a more modern and urbanized Maranhao.  This is especially true for groups in Sao Luis, the capital city, but even groups in the interior find that their survival depends on adapting to the needs of modern government, media and commercial organization.

The batizado honored tradition, but also honored the passing of a member of the older generation and another step in the transition in the transformation and modernization of the festival.

For years much of the management of the group been shared by Mestre Apolonio with his wife Nadir Cruz.  Now Nadir, her daughter Talyene Melonio, and the senior members of Floresta are adjusting to the new era of the group.

 

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The batizado is opened with percussion on panderoes (frame drums), large tambourines, and drums.  Drums made in the old style with animal skin are tuned for performance over an open fire.

 

 

 

 

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A cazumba begins the dance,  wearing the signature mask style of Abel Texeira (and now his wife), begins the dance.  Abel and his wife are long-term members and brincantes (performers) with Floresta

 

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After hymns to Saint John and other devotional figures, the ox kneels before the altar, flanked by members of the group in indio/tapuia dress. They are also paying homage to Mestre Apolonio for whom special songs were sung in the liturgy — commemorating the recent loss of this iconic figure after more than 40 years of leadership.

 

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After being baptized the boi now dances — here with Talyene Melonio (center, back to camera) daughter of founder Apolonio in india/tapuia dress.

 

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The boi/ox dances with the female character Catirina in the last phase of the private celebration

 

 

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An experienced indio/tapuia. We have known him since his first entry as an indio, dancing the simplified steps of the young performers. He is now a full-fledged tapuia with this elaborate costume, headdress and decoration.

 

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The group takes the street after the baptism; here the indias join as the group forms a procession through the neighborhood into the early hours of the morning of Saint John’s day.

 

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