Festa dos Reis (Maranhão), Festival of the Kings (January 2016)

The Festival of Kings (Festa dos Reis) is the celebration at the conclusion of what are called the festas natalinas, the many celebrations held during the period of Christmas on the Catholic calendar.

In Maranhão  these celebrations may once have been promoted and organized by the institutional Church — now they are spread throughout the region in many forms.  The community celebrations are part of what is known as “popular Catholicism,” practices that may originally have originated in he Church but now carried on by communities themselves.  These two festas in the photos below are community celebrations organized by community groups.  There were no clergy present at either of the festas shown here.

This church below is  simple community building but not the center for a parish or official Church sanction.

Like many such “churches” throughout Maranhão, they have evolved their own forms of celebration that are now part of popular — rather than official — culture.  A feature of popular Catholicism is that the culture producers are the “people,” and not any formal institution.

 

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Community church, Maracaná (Maranhão)  Prominent on the altar are Saint Anthony, the Virgin Mary, and the black saint, Benedict (Sao Bento, as he is widely revered in Maranhao).

 

An earlier post describes festivals of São Gonçalo and the Festa do Divino in two communities in the interior of Maranhão.  In both cases the celebration, ritual, and liturgy were conducted by the community and held in a “church” that is an informal community building.

This celebration is based on the nativity story of the visit of the three kings to the new-born Jesus.  A centerpiece is the nativity scene which, in Maranhao lis likely to contain animals and entities that reflect the communities’ spiritual practices (Catholic or other).

There is a somewhat similar observance of “Three Kings’ Day” in New Orleans, and many communities celebrate the 12th night of Christmas with a ceremony and burning of trees.

This is, more of less, the last celebration of Christmas.  There is one more event called the “quemada palinha” in which the straw of the manger (the créche, presépio) is burned.  Many celebrations use an herb or shrub called murto, which when burned gives off a sweet, pungent odor like a powerful incense.

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From the altar — celebrants at a Festa dos Reis. The singers in green are a community group that carries the liturgy and celebration.  They have been doing this for years and are an integral part of he festival’s organization.  Their faith is carried in this type of community action, outside the sanction or direction of clergy.

 

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It is a community honor for children and young people to be chosen to represent the kings. In this tradition of “popular Catholicism” there are also queens and other characters represented.  These young people seem a bit uneasy with the attention, the heat, and the long liturgy.

 

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The kings and queens are presented at the créche/nativity scene (presépio, in Portuguese).  The young participants for the following year are chosen on the day after this event.  This gives the families a year to prepare these elaborate costumes.

 

 

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The singing and ritual in this community are led by this group of singers each year.  Their name refers to “Alecrim,” which means the herb rosemary.

 

 

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The young people are treated like royalty, though the pride of their parents seems more pronounced than the children’s excitement. The Christmas festivals come in January,which in Maranhão has daytime temperatures in the 90’s.  After the day has cooled a bit, the temperatures are still in the 80’s here. Here in the enclosed space of the celebration, parents primp and fan the royalty.

 

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Many celebrations in cultura popular in Maranhão use a band — this one led by a sax man. After the liturgy they played jazz and dance music.

 

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This is another Festa dos Reis near Maracaná.  It was held in a party room room of a commercial bar.  In the main area here was a large audience listening to live band playing popular music. This more serene festival shows the costumes of the kings and queens  The mountains of elaborate calories heaped behind them are color-matched to the costumes.

 

Popular culture in Maranhão, as elsewhere, is a mix of heritage culture — such as that celebrated here — and mass media entertainment.  This was only one activity gong on at this commercial bar/entertainment center.

Tourist and ethnographic accounts sometimes give the impression that everyone is there; however, in the hybrid world of contemporary Maranhao culture, many are next door drinking and dancing.

As researchers we were at the Festa dos Reis.  We have seen people drink and dance before, and didn’t need to document that.

 

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Often, one of the implicit notions in descriptions of popular celebrations is that they engage the whole community. Actually the number of faithful in the Festa dos Reis is a only a fraction of the community, many of whose members are busy elsewhere.